Figure 1: Movie Poster [Still Image] |
Films directed by Kubrick have substantially shown the love he had for one point perspective and a balanced shot. In one of the scenes, Danny was riding his tricycle at the corridors of the hotel but stopped on his tracks when he saw the twins was an example how Kubrick brought this one point perspective, balanced shot thought further as he incorporated characters in it. Ager summarises this point accurately when he said “The most unconsciously powerful form of mirroring in the film is Kubrick’s use of visual symmetry.” (Ager, 2008)
Following the previous point about the visual aspect, trapped and isolation would be one of feelings that could be derived from this film. An example of this would be the iconic scene where Danny was playing his toys on a hexagon patterned carpet flooring of the hotel. Another would be when Wendy chases Danny in a maze and in the hotel, Jack was looking at a maze as he took a break from his writing. As he looked at this maze, what could be seen at the center of it was two tiny figures that appears to be of Wendy and Danny. Henderson interpreted this scene with precision when he states "It's a memorable summary image for their situation—even given a foreshadowing moment of seeming omniscience, Jack can't free himself from his family any more than his family can escape the sprawling maze” (Henderson, 2007)
Figure 3: Danny Playing With His Toys [Still Image] |
Figure 4: Table Top Maze [Still Image] |
The immense tension that was created with the help of the sound effects were a perfect match to the visual elements in general. For example, in a scene was trying to avoid Jack, the pitch started to increase creating an intense feeling leaving the audience to have an adrenaline rush, keeping them at the edge of their seats as they anticipate for something terrifying to happen. As Henderson points out in his review, “…the complex musical textures of György Ligeti and Krzysztof Penderecki don't even offer room to breathe, and the disorientation causes the mind to grasp for gravity” (Henderson, 2007)
When The Shining is watched multiple times, it gives the audience new information that was not noticeable in a previous screening. Hence, a statement from Eskstrom perfectly concludes this film when he states “Everyone has that one film, the one they constantly return to for entertainment, joy, terror, mental stimulation, etc. The Shining is that one film.” (Ekstrom, 2013)
List of Illustrations:
Figure 1 The Shining (1980) [Poster] at http://www.impawards.com/1980/posters/shining_ver1.jpg accessed on 30 November 2013
Figure 2 Danny’s Corridor Scene [Still Image] at http://stream1.gifsoup.com/webroot/animatedgifs/609380_o.gif accessed on 30 November 2013
Figure 3 Danny Playing With His Toys On The Carpet [Still Image] at http://planetivy.com/wp-content/uploads/2012/10/the-shining-carpet1.jpg accessed on 30 November 2013
Figure 4 The Table Top Maze [Still Image] at http://www.collativelearning.com/PICS%20FOR%20WEBSITE/SHINING%20EXPANDED%203/tabletop%20maze%20close%20up.jpg accessed on 30 November 2013
Figure 5 The Shining - Best Scene (1080 HD) [Television Programme Online] Tyrion Lannister Youtube (1980) 4minutes http://www.youtube.com/watch?v=SX3px05fFu8 accessed on 30 November 2013
List of Bibliography:
Ager, Rob
2008
The Shining
http://www.collativelearning.com/the%20shining%20-%20chap%205.html
Accessed on 30 November 2013
Ekstrom, Matthem
2013
The Shining (1980)
http://letterboxd.com/matthewekstrom/film/the-shining/
Accessed on 30 November 2013
Henderson, Eric
2007
The Shining (1980)
http://www.slantmagazine.com/film/review/the-shining
Accessed on 30 November 2013
Once again, a thoughtful review and a much better use of quotes this time, Ayunie :)
ReplyDeleteJust check again which bits of the image list need to be in italics, here
http://community.ucreative.ac.uk/article/27187/Referencing
Thanks Jackie. :)
Delete